Upcoming Performances

The listed schedule only includes engagements that have been confirmed by the presenter.  

** For booking inquiries, please contact me directly. **

Washington National Opera: Saint-Saën’s 'Samson and Delilah'

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John F. Kennedy Center for the Performing Arts, 2700 F Street NW, Washington, DC

This vivid staging of the iconic tale of love and betrayal features a lavish production and sumptuous period costumes, set against the tumultuous backdrop of two clashing nations. Saint-Saëns’s famous opera soars with some of the most splendid vocal music in French grand opera, including Delilah’s bewitching “Mon cœur s’ouvre à ta voix” (“My heart opens itself to your voice”) aria known around the world. From the provocative Bacchanale dance to the epic finale, Samson and Delilah depicts the danger of tenderness laced with deceit.

The Virginia Consort: Poulenc's 'Gloria'

Cabell Hall, Charlottesville, Virginia

Soprano Soloist

Poulenc’s sense of humour and love of life shine through all his music, however solemn the text might be. One of his friends said of him, ‘There is in him something of the monk and the street urchin.’ The Gloria brilliantly expresses these characteristics, with its captivating mixture of solemnity and mischievous exuberance.

Judith Gary, Conductor

Hylton Performing Arts Center: Queen of the People's Hearts

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Hylton Performing Arts Center, Manassas, VA

Role of Camilla

This new musical, written by Angela Knight and Randall Dewey, tells the story of Princess Diana, one of the most beloved figures of our times - from her storybook wedding to Prince Charles, to her tragic death while being chased by the paparazzi through the streets of Paris.

PostClassical Ensemble and Cathedra: Haydn's 'Lord Nelson Mass'

Washington National Cathedral, 3101 Wisconsin Ave NW, Washington, DC

Soprano Soloist

Combining the forces of French pianist Jean-Efflam Bavouzet, the Post Classical Ensemble and Cathedra, we invite you to explore and celebrate what happens when Franz Joseph Haydn works on a larger canvass. His extraordinary piano concerto exhibits his mastery of orchestral color and creativity, and his “Lord Nelson” Mass – probably the finest of his Mass settings – offers a sense of the works that flowed from the patronage of the church.

Angel Gil-Ordóñez, Conductor